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Garrie Fletcher

~ writing and all that

Garrie Fletcher

Tag Archives: short story

Third Best Fighter in the Year

27 Saturday Jun 2026

Posted by fletcherski in Art, Bradford, creative non-fiction, memoir, Music, Northampton, Publication, Short Story, Working Class, writing

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creative non-fiction, Ellipsis Zine, family, Friendship, life, memoir, Northampton, short story, up-coming-publication, Working Class, writing

I’m currently writing a memoir centred around my dad and me, looking at working-class masculinity with a bit of ADHD thrown in for good measure, and it led me to remember an incident at school that turned the notion of the weaker sex on its head. If you want to find out more about this, you’ll have to keep an eye out for the August edition of Ellipsis Zine. This is the second piece of creative non-fiction I’ve had accepted for publication and could possibly be the first that you, wonderful reader, will get to see.

This image of me, I’m the one on the left, is from around the time the story is set, probably slightly earlier. Looking at my hair, I’d say I’m at the tail end of my Suedehead stage and moving into full-on Mod mode. I’m wearing a Fred Perry t-shirt and my coveted red Harrington jacket. 

The guy next to me is called Rupert, which is about the best name, short of Tarquin, to guarantee getting your head kicked in at Mereway Upper School. I can’t remember how we became friends, probably a shared taste in music and clothes, but he was the first middle-class kid I ever met and became a conduit to a world I’d only seen on TV. 

Like me, he lived close to the school, but unlike me, he lived in a large semi-detached house with a huge garden and a short drive out the front, which made our two-bed council house seem positively hutch-like by comparison. He never spoke about his dad. His dad was not present, but his effervescent mother and eccentric grandmother made me feel incredibly welcome. I think his mum was slightly concerned about him hanging out with the rough kid from the council estate, but his gran spoke to me like an equal and regaled me with tales of India and the Far East.

I never really knew how he felt about me because we don’t speak about stuff like that. He often seemed aloof, acting superior when it came to matters of music and clothes, but would defer to me when we were threatened by others; he wasn’t a wimp. Fighting was best avoided as it could lead to a torn shirt or scuffed shoes. Maybe he used me as muscle, I don’t know, but I know I got as much from him as he got from me with regards to tips on music and clothing, and I think that’s pretty good for any relationship. 

I thought he was the best drummer in the world, although, to be more accurate, he was the only drummer in the world that I knew. He would calmly tolerate my discordant chord-chopping on my shit guitar and drum along perfectly to the first Specials album.

Me at art college, Bradford 89-91.

I bumped into him once in The Racehorse pub in Northampton. It was the mid-nineties, and I’d not seen him since school. I’d been away to Bradford studying Art and found myself unemployable and back home. We hadn’t spoken for 6 or 7 years. I’d embraced Acid House and Baggy culture, and my days of short hair and Harringtons were long behind me. It was early afternoon, and I’d already had a couple.

‘Betsy!’ No one used his first name.

‘Betsy!’ No one used his first name.

He flinched, as if bracing for an assault.

‘Fucking Hell, man. How are you doing? Let me get you a pint. Lager?’ Two beers into the afternoon, and I

He nodded.

‘Sit down. Sit down. I won’t be a minute.’

I placed a pint of lager and a pint of bitter on the table.

‘What are you up to these days?’

Again, that look, like I was the Stasi checking his papers at a Berlin checkpoint. I ploughed on. Asked him questions and never once thought the silence was oppressive. Eventually, three beers in, I learned that he’d sold his drum kit and now worked as a panel beater in some small industrial unit off the Welly Road.

‘You sold the drums?’

‘Yes.’

‘You sold the drums?’

‘We’ve covered this.’

As weird as his working as a panel beater was, it was the selling of the drums that floored me. Effectively, we’d swapped roles. I was working in a care home, a stopgap to build up funds and go travelling, but painfully aware I didn’t belong there, while my former mentor in music and clothes was wearing shitty overalls and hammering metal all day instead of doing the thing I’d thought he was born to do.

Rupert will feature in future writing, but to learn more about the world I grew up in, you’ll need to wait for the August edition of Ellipsis Zine.

Longlisted Shocker!

12 Wednesday Feb 2025

Posted by fletcherski in competitions, News, prize money, Short Stories, Short Story, writing

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fiction, Galley Beggar Press Short Story Prize, short story

I’m a bit slow sharing this most wonderful news on here, but here it is: I’ve been long listed for the Galley Beggar Press Short Story Prize! I’m dead chuffed to be in such esteemed company for such a great prize.

Please follow the link to read my short story Counting Backwards and the other nine great entries. Galley Beggar Press Short Story Prize. Simply select the link next to the author’s name to read the story.

Night Time Economy

20 Tuesday Aug 2024

Posted by fletcherski in Birmingham, Birmingham Writers, books, Floodgate, Publication, Short Stories, writing

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fiction, Kit de Waal, Mark Bellingham, New Writing, Non fiction, paperback, pre-order, short stories, short story, The Midlands, uk, West Midlands, writing

After a year of sifting, editing, sifting and editing the second glorious book from Floodgate Press is almost here. The book is due to launch on the 12th of September at Voce Books in Birmingham but you have a chance to grab a copy before then by pre-ordering on the website.

This is a sublime collection of new work, fiction and non fiction, from writers based in the West Midlands.

City Voices

06 Saturday Jan 2024

Posted by fletcherski in books, City Voices, fiction, Floodgate, Reading, Wolverhampton

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books, City Voices, fiction, Floodgate Publishing, reading, short story, The Lych Gate, uk, Wolverhampton, writing

This Tuesday, 9th of January, I’ll be sharing a story at City Voices. This is a regular event hosted by Offa’s Press. I’ve read here a few times in the past, although not for a while now, and it’s always a great evening hosted by Simon Fletcher.

Also on the bill will be Parvenu Brigue, Alex Vann, Marion Cockin and Steve Pottinger.

I’ll give a brief chat about Floodgate, Digbeth Stories, and our next collection, Night Time Economy – I’ll even have a few copies with me if any wants one, cash only though. Not sure what I’ll read yet, but whatever it is it’ll be new and unpublished.

City Voices is at The Lych Gate, 44 Queen Square, Wolverhampton, WV1 1TX. It’s £5 on the door and all kicks off at 19:30. See you there.

Christmas Cheer

22 Wednesday Dec 2021

Posted by fletcherski in writing

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Christmas, fiction, short stories, short story, writing

It’s the season of giving, so here are a few snippets of Fletcher Christmas life from over the years – enjoy.

*

Turkey Farming

Dad liberated twelve turkeys. It was mid-December, and he was out of work. He borrowed Jez Bailey’s Bedford van, and Jez, and drove to a farm just past Harlestone Firs early one morning. Armed with bolt cutters, sacks and torches they broke in, helped themselves. Terrified poultry blocked out the noise of the farmer waking up, thudding down his stairs and retrieving his shotgun. The van was parked, side doors slid back, and rear doors flung wide, next to the large barn. The sacks forgotten, they grabbed the birds’ legs and flung them into the van. Fifteen were inside when the farm lights went on. Dad and Jez froze. The turkeys gobbling and gabbling intensified; eyes like black pearls set in alien grey-blue skin, focused solely upon them. Jez ran to the driver’s door as Dad slammed shut the rear doors. A shotgun blast tore over the van and the remaining turkeys bolted for freedom; the silent night broken with petrified squawking.  Grey and black feathers snowed down. Jez scraped through the gearbox as Dad leapt head-first into the van. Half-way back to town hey slid the doors shut and stopped laughing.

Christmas Fishes by Juliet Fletcher

Dad never divulged his initial plan, just said it was Christmas. Jez took five and Dad took seven as it was his idea. Three escaped. I imagine them living out their days in the forest, however unlikely that is. The biggest bird was for us. The others given to the pensioners on the estate. 

Mum woke to a very confused and angry turkey strutting around the yard and said, if you think I’m killing that you’ve got another think coming. Pap, who’d worked for years as a butcher, was too busy to come round but offered to talk Dad through the process of killing and draining over the phone. Mum needed some fresh air and left him to it. When she returned, the yard was covered in feathers and Dad was washing out a bloody bucket in the sink. The bird hung in the small brick shed for just under two weeks. I wasn’t born when this happened, but I’ve absorbed more and more of the story at every telling. This story has changed over the years, as stories do, but the thing that hasn’t is that it was the best turkey they ever had.

*

All Wrapped Up for Christmas

There were chocolates on the tree in the shape of reindeer, snowmen, Christmas trees, presents, all wrapped in festive reds, greens and golds. There were chocolates on the Christmas tree, and we coveted them, touched them, imagined them melting in our mouths. There were chocolates on the Christmas tree, and we were not allowed to touch them, not until Christmas Day. Not until Mum gave the word. There were chocolates on the Christmas tree and then, the low hanging ones, the ones we could reach, were gone. Have you eaten the chocolates off the tree? Not a question, more a statement of fact. I protested my innocence as did my brother, but he breathed lies. Punishment was swift, a hand raised a smack delivered once, twice, three times. The pain faded but the injustice didn’t. Sam, the boxer dog, looked on, eyes wide. 

A shadow hung over the next two days that was swiftly diffused by the glare of Christmas Eve and Christmas Day. I knew Lee had done it. That’s what he did. He lied and cheated, but food, presents, food, TV, food, family, games and food smothered the nagging in my stomach.

Boxing Day was bright and fresh, and yesterday’s presents were waiting to be played with. Sam was in the yard to stop him begging at the oven. I got washed and dressed and took some cold turkey out to him. He’d pooed on the slabs; Mum would not be pleased. He turned his doleful eyes towards me and sniffed at the air. I placed the meat at his feet and as he was eating it, I played with his velvet brown ears rubbing them between my thumb and forefinger. I looked over at his dark poo. Flecked within it were red, green and gold pieces of chocolate wrappers.

*

Where I Belong

Christmas Dinner is a big deal in our house. The bird has to be ordered, collected, prepped and cooked along with enough vegetables to feed the street, not just the four of us. We never have people around for Christmas Dinner, but family and friends pop in and out before, during and after. Booze fuels the day. Food needs to be consumed in large quantities to stave off an early alcoholic peak which is a real threat considering Mum and Dad start drinking at breakfast. Mum favours wine, white wine predominantly, sometimes sparkling, but red and even the odd spirit can make an appearance. Dad sticks to bitter, or if he’s feeling daring, stout. I will join in, later, but not to their Olympic standards – I’m strictly amateur. Dinner time is announced, adjusted and announced again to incorporate guests and dashes to uncle Loz’s in the next street. The food is always incredible. Turkey roasted and glazed to moist perfection, the potatoes’ fluffy contents sealed within a crispy shell, carrots firm and sweet, fresh bread and onion stuffing, chipolatas wrapped in bacon, even the cabbage is edible.

At some point, there will be a moment between me and Dad. He’ll place his large hand on my shoulder, struggle to find the words, squeeze until I fear my collar bone will crack and then he’ll say, he’s a good lad. Isn’t he, Shug? Mum will call him daft, but later on, when the plates are just bones and gravy, she’ll corner me, bleary-eyed, and tell me how she loves me. 

There’s never an argument in our house on Christmas Day. There are wild claims, exaltations of friendship, debts highlighted, claims of tenderness and love, when the alcohol has marinated the heart, gratitude for gifts and favours given, all sprinkled with sworn warm affection. 

In the lounge, the TV will mumble in the background, a disjointed rhythm track to Dad’s snoring, and Mum will disappear upstairs for ‘five minutes kip.’ Hours later she’ll busy herself in the kitchen cutting cold meats, bread, cheese, setting out jars of pickles and chutney, crackers and cake. Mum will feel bad for missing the Queen’s speech and Dad will tell me for the hundredth time that Steve McQueen did his own stunts in The Great Escape. Outside, it will be black as coal with the smudge of mist and the hope of snow. Inside the heating will be up full, damn the expense, Mum will be on the phone to Pap going over the Christmas meal in minute detail, successes and failures, and I will know exactly where I am and where I belong.

Overhear

03 Thursday Oct 2019

Posted by fletcherski in Art, Birmingham Literature Festival, Short Stories, writing

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audio, Birmingham, Birmingham Literature Festival, download, fiction, free, Ikon Gallery, short story, uk

It’s the perfect supplement to the Barry Flanagan exhibition that is currently on at the Ikon Gallery in Birmingham. Yes, you’ve guessed, it’s my short story, Ikon. Simply get the Overhear App, visit the Ikon Gallery, and download an audio file of me reading the story at the Ikon. Sorted.

Songs for the Elephant Man

22 Monday Jul 2019

Posted by fletcherski in Short Stories, Short Story, Writers, writing

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Mantle Lane Press, short story, writing

My story, Electricity, will be published shortly as part of this wonderful anthology from Mantle Lane Press.

It’s a excellent title for the collection as all the stories are about or misfits. However, thanks to Matt Berry’s Year of the Rabbit on Channel 4 I can now only ever see the Elephant Man as a camp thespian on the make.

Submerged.

19 Tuesday Feb 2019

Posted by fletcherski in Art, creativity, Drawing, Short Story, writing

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Book, Illustration, Jessamy Hawke, short story, Submerged

My latest short book, submerged, is due to be released in early March and I’ve just had a look at some of artist and illustrator Jessamy Hawke’s initial ideas.

These, as you can see, are rough sketches, but Jessamy’s finished work is rather wonderful. I’m looking forward to seeing the finished cover.

You can check out her work including book covers, illustrations, and comissions at her website here.

SOLO Fest

03 Sunday Feb 2019

Posted by fletcherski in writing

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Coventry, fiction, reading, readings, short story

My first reading of this year will be at SOLO Fest in Coventry at the Warwick Arts Centre at 18:00. I was picked for one of the open mic slots before the main performances and will be reading a short story from my Night Swimming collection. Many of us are feeling a bit, Mick Hucknall, these days, so you’ll be pleased to hear that the open mic slots are free to attend if money is indeed too tight to mention. But what is SOLO Fest? The Warwick Arts Centre says:

“SOLO Fest is a four day festival that showcases three captivating theatre shows by solo performers. Audiences have the opportunity to see two shows each evening, along with FREE pop-up performances by local artists, and post-show gossip events.

One person shows depend on the combination of imaginative writing with skilled and versatile performance and stagecraft. Despite there only being one person on stage, the best solo shows can transport you far from the theatre into another world.

We have handpicked three of the best solo shows in the UK today, by top young artists Keisha Thompson, Tatty Hennessy and Toby Thompson.”

That all sounds pretty awesome to me.

I’ll be going to both performances that evening, I Wish I Was A Mountain, and A Hundred Words For Snow, and hanging around for the post show gossip. I’ll even have some books on me if you fancy buying a copy. Please come up and say hello – I won’t bite.

Click on this link to check out the full line-up on the Warwick Arts Centre website.

Reading at Country Voices

09 Sunday Dec 2018

Posted by fletcherski in writing

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books, Country Voices, fiction, reading, short story, short story collection, Shropshire, Telford

This coming Saturday, the 15th of December, I will be reading at Country Voices, the Meadow Inn, Ironbridge, Shropshire. I’ve a twenty-minute slot so I’m hoping to read a short story in its entirety. At the moment, I’m thinking of reading Joyce’s Garden which sounds quite idyllic but isn’t. Joyce’s garden is yet to find a home, but I’m really pleased with it, and hopefully, the crowd will be too as I’m bringing some books to sell – when I find where I’ve hidden them.


If you’re lucky I may even smile. No promises.

The Meadow Inn looks lovely, I’ve never been, but the photos are excellent, and it looks over the river Severn in Ironbridge. Look, here’s a picture montage followed by a map.

The Aerial view should be handy for those of you who are parachuting in. 
Dead easy to get to.

If you do make the journey please say hello and buy a book. Did I mention I’ll be selling books?

You don’t need to jump into the River Severn to fully appreciate this book.


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